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PARALLEL BIBLE - Song of Solomon 1:15
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King James Bible - Song of Solomon 1:15

Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes.

World English Bible

Behold, you are beautiful, my love. Behold, you are beautiful. Your eyes are doves. Beloved

Douay-Rheims - Song of Solomon 1:15

Behold thou art fair, my beloved, and comely. Our bed is flourishing.

Webster's Bible Translation

Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes.

Original Hebrew

הנך
2005 יפה 3303 רעיתי 7474 הנך 2005 יפה 3303 עיניך 5869 יונים׃ 3123

Treasury of Scriptural Knowledge

VERSE (15) -
:8; 4:1,7,10; 5:12; 7:6

SEV Biblia, Chapter 1:15

He aquí que tú eres hermosa, oh compañera mía; he aquí que eres hermosa; tus ojos de paloma.

Clarke's Bible Commentary - Song of Solomon 1:15

Verse 15. Thou hast
doves' eyes - The large and beautiful dove of Syria is supposed to be here referred to, the eyes of which are remarkably fine.

John Gill's Bible Commentary

Ver. 15. Behold, thou [art] fair, my
love , etc.] These are the words of Christ, commending the beauty and comeliness of the church, expressing his great affection for her, and his high esteem of her; of her fairness and beauty, (see Gill on “ Song of Solomon 1:5”), (see Gill on “ Song of Solomon 1:8”); of the title of Christ’s love, as given her by him, (see Gill on “ Song of Solomon 1:9”); a “behold” is prefixed to this account her, as a note of attention, to consider her complete comeliness in Christ, and not pore on her own blackness; and as a note of admiration, that she who was so black and uncomely in herself should be so fair and beautiful in his eyes, through his blood, righteousness, and grace; and as a note of asseveration, assuring her of the truth of it, which she might be apt to call in question; and, to prevent which, it is also repeated, behold, thou [art] fair ; exceeding fair, really so, both inwardly and outwardly; both with respect to justification and sanctification; thou [hast] doves’ eyes ; or “eyes like doves” f77 ; these are taken notice because much beauty lies in the eyes, either in the size or colour of them f78 ; similes taken from doves are frequently used in this sacred poem, both with respect to the bride and bridegroom; see ( Song of Solomon 2:14 <220401> 4:1 5:2,12 6:9); and it may easily be observed, that this creature furnishes much matter for poets f79 , which they apply to lovers: and here the eyes of the bride are compared to the eyes of doves; meaning either the ministers of the Gospel, who are to the church what eyes are to the body; are set in the more eminent part in the church, to order, guide, and direct the members of it; to watch over them, lest any hurt come to them, and give warning of danger; to hold forth the word of light to them, and instruct them how to behave in the church and in the world: and they may be compared to the eyes of doves, for their clearness and perspicuity in discerning Gospel truths; and for their sincerity and simplicity, uprightness and faithfulness, in preaching them; and for the dove like gifts of the Spirit, whereby they are qualified for it; and for, their meekness and humility; or rather the eyes of her understanding are meant, being spiritually enlightened; and particularly the eye of faith by which believers take a view of Christ, of his glory, fulness, and suitableness, and look to him alone for life and salvation. And it may be compared to the eyes of doves for the clearness and quickness, of it, being the evidence of things not seen; and, for its singleness and chastity, the dove looks only to its mate, and destroys those that look with lustful eyes on others f80 ; believers, being espoused as a chaste virgin to Christ, look only to him as their beloved, to him only for acceptance, righteousness, pardon, and eternal life; and for its modesty and humility, excluding all boasting in the creature, and giving all glory to Christ; and for its beautifulness in the sight of Christ, so that he is even ravished with it, ( Song of Solomon 4:9).

Matthew Henry Commentary

The title. (
Song 1:1) The church confesses her deformity. (Song 1:2-6 The church beseeches Christ to lead her to the resting-place of his people. (Song 1:7,8) Christ's commendation of the church, Her estee for Him. (Song 1:9-17)

Song 1:1 This is "the Song of songs," excellent above any others, for it is wholly taken up with describing the excellences of Christ, an the love between him and his redeemed people.

Song 1:2-6 The church, or rather the believer, speaks here in the character of the spouse of the King, the Messiah. The kisses of his mouth mean those assurances of pardon with which believers ar favoured, filling them with peace and joy in believing, and causin them to abound in hope by the power of the Holy Ghost. Gracious soul take most pleasure in loving Christ, and being loved of him. Christ' love is more valuable and desirable than the best this world can give The name of Christ is not now like ointment sealed up, but lik ointment poured forth; which denotes the freeness and fulness of the setting forth of his grace by the gospel. Those whom he has redeeme and sanctified, are here the virgins that love Jesus Christ, and follo him whithersoever he goes, Rev. 14:4. They entreat him to draw them by the quickening influences of his Spirit. The more clearly we discer Christ's glory, the more sensible shall we be that we are unable to follow him suitably, and at the same time be more desirous of doing it Observe the speedy answer given to this prayer. Those who wait a Wisdom's gate, shall be led into truth and comfort. And being brough into this chamber, our griefs will vanish. We have no joy but in Christ, and for this we are indebted to him. We will remember to giv thanks for thy love; it shall make more lasting impressions upon u than any thing in this world. Nor is any love acceptable to Christ but love in sincerity, Eph. 6:24. The daughters of Jerusalem may mea professors not yet established in the faith. The spouse was black a the tents of the wandering Arabs, but comely as the magnificen curtains in the palaces of Solomon. The believer is black, as being defiled and sinful by nature, but comely, as renewed by Divine grace to the holy image of God. He is still deformed with remains of sin, but comely as accepted in Christ. He is often base and contemptible in the esteem of men, but excellent in the sight of God. The blackness wa owing to the hard usage that had been suffered. The children of the church, her mother, but not of God, her Father, were angry with her They had made her suffer hardships, which caused her to neglect the care of her soul. Thus, under the emblem of a poor female, made the chosen partner of a prince, we are led to consider the circumstances in which the love of Christ is accustomed to find its objects. They wer wretched slaves of sin, in toil, or in sorrow, weary and heavy laden but how great the change when the love of Christ is manifested to their souls!

Song 1:7,8 Observe the title given to Christ, O Thou whom my sou loveth. Those that do so, may come to him boldly, and may humbly plea with him. Is it with God's people a noon-time of outward troubles inward conflicts? Christ has rest for them. Those whose souls love Jesus Christ, earnestly desire to share in the privileges of his flock Turning aside from Christ is what gracious souls dread more tha anything else. God is ready to answer prayer. Follow the track, ask for the good old way, observe the footsteps of the flock, look what ha been the practice of godly people. Sit under the direction of goo ministers; beside the tents of the under shepherds. Bring thy charg with thee, they shall all be welcome. It will be the earnest desire an prayer of the Christian, that God would so direct him in his worldl business, and so order his situation and employment, that he may have his Lord and Saviour always before him.

Song 1:9-17 The Bridegroom gives high praises of his spouse. In the sight of Christ believers are the excellent of the earth, fitted to be instruments for promoting his glory. The spiritual gifts and grace which Christ bestows on every true believer, are described by the ornaments then in use, Song 1:10,11. The graces of the saints are many but there is dependence upon each other. He who is the Author, will be the Finisher of the good work. The grace received from Christ' fulness, springs forth into lively exercises of faith, affection, an gratitude. Yet Christ, not his gifts, is most precious to them. The word translated "camphire," signifies "atonement or propitiation. Christ is dear to all believers, because he is the propitiation for their sins. No pretender must have his place in the soul. They resolve to lodge him in their hearts all the night; during the continuance of the troubles of life. Christ takes delight in the good work which his grace has wrought on the souls of believers. This should engage all wh are made holy, to be very thankful for that grace which has made thos fair, who by nature were deformed. The spouse (the believer) has humble, modest eye, discovering simplicity and godly sincerity; eye enlightened and guided by the Holy Spirit, that blessed Dove. The church expresses her value for Christ. Thou art the great Original, but I am but a faint and imperfect copy. Many are fair to look at, ye their temper renders them unpleasant: but Christ is fair, yet pleasant The believer, Song 1:16, speaks with praise of those holy ordinances in which true believers have fellowship with Christ. Whether the believe is in the courts of the Lord, or in retirement; whether following his daily labours, or confined on the bed of sickness, or even in dungeon, a sense of the Divine presence will turn the place into paradise. Thus the soul, daily having fellowship with the Father, the Son, and the Holy Spirit, enjoys a lively hope of an incorruptible undefiled, and unfading inheritance above __________________________________________________________________


Original Hebrew

הנך 2005 יפה 3303 רעיתי 7474 הנך 2005 יפה 3303 עיניך 5869 יונים׃ 3123


CHAPTERS: 1, 2, 3, 4, 5, 6, 7, 8
VERSES: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17

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